Viva Seething

Seethingography was originally a way for me to come down to Seething and start a writing group, and to engage Seething Villagers in thinking about what made the place that they live in special to them. I ran workshops, meet ups and an event for National Poetry Day, plus we went on a drift through Seething to explore its many quirks and secrets.

The blog has seen lots of writing and images exploring this theme, and led to the publishing of two anthologies of writing in The Seethingographer, the first from Seething Writers and the second from writers all over the world (as Seething has no boundaries!) writing on the theme of ‘Going Home’.

The Seethingographer #2

Anyone who is familiar with my own writing, and practice as a walking artist, may know that much of my work is concerned with place- how we are affected by it and how we affect it. This led to my publishing a chap book, Villiers Path, about a narrow footpath in Surbiton, which has a surprising history attached to it. I hope to do some walks and performances there later this year. See my blog or Facebook page for updates on this in the Autumn.

Villiers Path: Scalloped Time Chapbook

I was also lucky enough to publish local ecologist and bat expert Alison Fure’s pamphlet, Kingston’s Apple Story By A Michelson’s Seedling, about the local history and apple growing heritage in the Royal Borough of Kingston Upon Thames and surrounding area. I am delighted to say this is now in its second print run, and I have been chuffed to be able to support Alison’s drive to try to save the Tolworth Apple Store in publishing this important work.

Kingston’s Apple Story by Alison Fure

Chapbooks are for sale here at £2 + £1.20 p&p

The chapbooks were published by Sampson Low Ltd, a wonderful and historic publisher, and I am very grateful to Alban Low for his support.

Thanks as ever to The Marvellous Smellymaroo for her skill and kindness with design and layout of all the chapbooks.

I was very lucky to be able to use the Museum of Futures to hold events and workshops for Seething Writers, and am grateful to Robin Hutchinson and the Community Brain for allowing me to do so. Thank you!

This is my final post for now for Seethingography. I am handing it over to the lovely Seething folk, Simon Tyrrell and Sharon Zeqiri, who took over the running of Seething Writers earlier this year.

Seething is believing….So long and thanks for all the sardines!

Lucy Furlong

http://www.lucyfurlong.com/

Lucy Furlong is a widely published writer, performer and walking artist. Her poetry map, Amniotic City, was featured in The Guardian and her pamphlet , clew, was published by Hesterglock Press in 2015. Her poetry map, Over the Fields, was published in September 2015, and her latest chapbook, Villiers Path, was published by Sampson Low this year.

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The Teapot

Once when I was young and naïve I destroyed a green teapot with a black lid by putting it down the rubbish chute of the flats I lived in. It was a blameless item, existing its little heart out from home to home, its final place that flat in a boxy brick estate lit by round streetlights, the bushes below the window precipitating hordes of small green flies up through the windows  on summer nights when the blue sign of the Cunard Hotel glared sullenly across the void at us. The windows faced westwards; so no sunrise to greet our morning egg and toast and marmite, if there ever was such a thing. But sunsets, over the bend in the river a mile away, roaring in silent sheets of flame.

I once wondered how large a sunset actually is. Is it the size of a memory? Does it have a real extent? The Northern Lights show up on film when invisible to the eye.

Although there were no stars in our night sky, there were robins singing their hearts out as we walked from the Tube station, across the sullen dark of the main road, up the street of Victorian houses and into the flats like a rabbit turning tail and darting down its burrow to safety from the drifting hawk, the prowling fox.

Home. Where I felt safe. Home.

http://chramies.typepad.com/

Chris Amies was born in south London and lived for many years in Hammersmith, which still appears in much of his fiction. He is the author of one published novel (“Dead Ground”, published by Big Engine and reissued by Clarion), one non-sfiction book (Hammersmith and Fulham Pubs, published by Tempus) and about 25 short stories, and has reviewed fiction for the BSFA and Tangent Online. He recently diversified into anthology editing (“NeaDNAthal” available from Fringeworks) and full-length translations from French.

The Seethingographer #2 Summer 2017: Going Home

The Seethingographer #2

We are delighted to launch the second issue of The Seethingographer today!

This is a collection of writing and images on the theme of ‘Going Home’. Submissions were opened up worldwide, and we had an amazing international response!

A word from our guest editor Sinead Keegan…..
Reading through the submissions for this issue of The Seethingographer was a peek behind the curtains and around the corners of the spaces people call home. These pages are filled with the nuances of what it means to go home, from Alan Boyce’s gritty reality of homelessness to the hearth fairy of Julia Rose Lewis. Sometimes we find ourselves on the threshold, neither home nor away from home, as in Roger Leege’s ‘Fast Food’ which showed me a moment from my own childhood, and Maite Lisa Jordao’s permanent liminal emigrant existence ‘Coming Home’. Whether you know the places described, or they are alien, like Jim Lawrence’s cosmic view ‘Super Ape’, at the heart of all the pieces is the home we all know or perhaps long for. Enjoy the journey. Enjoy the homecoming.

Thanks to Alban Low at Sampson Low Ltd and to The Marvellous Smellymaroo for design and layout. Buy a copy of The Seethingographer #2 here for £2 + £1.20 p&pBuy Now Button

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Pop-Up Prose and Poetry

The next Seething Writers gathering is to mark the Surbiton Food Festival.

Thursday 18 May, 7–9pm, Museum of Futures – pop-up prose and poetry session.

Drop in anytime during the evening to rustle up some flash-fry fiction and puff poetry.

 

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David Russamano Launches his first Poetry Collection!

Come along and enjoy poems and drinks in the cellar venue of the historic Flying Horse pub – apparently, the last on Oxford Street, on Saturday May 20th! David Russamano, who has graced Seething Writers meet ups on a number of occasions, launches his first chapbook, (Reasons for) Moving, and we would love you to come and join us to celebrate!

(Reasons for) Moving is published by Structo publishers (read what they say about it here), the wonderful team who publish the Structo literary magazine, which, if you haven’t read it, is really a beautifully produced journal of writing worth seeking out.

What people have said about (Reasons for) Moving:

This is an impressive and enjoyable collection of poems. Russomano deserves readers.

— Wendy Cope

Russomano is an intriguing new poet I expect big things from, based on the poems here, which seem intelligently poised between American and British poetic stances. At once exotic, historical, melancholy, and well-made, these elegant, thoughtful poems of place and change have unexpected outcomes – slipping off into new, submerged possibilities, like the house on the frozen lake, that is not, well, really all that solid. An impressive debut.

— Todd Swift

Russomano combines a serious wanderlust and wonderful evocations of place, with a careful consideration of the value of home. Perfect ingredients for the pull and push of poetry, these poems beautifully dovetail diction with structure. A true delight to the eye and the heart.

— Lucy Furlong

David Russomano’s (Reasons for) Moving records a widely travelled life. ‘Writing Home from Quepos’, ‘After the Revolution: Kathmandu, 2006’, ‘Ankara’, and other vividly compelling poems about distant places interweave with poems located closer to home, such as ‘What Begins and Ends with Water’, the delightful and mordant ‘Saint John’s’, or the chilling ‘Cutting Corners’, about a mall built on the toxic site of a former brake pad factory. Beautifully evoked, this varied and memorable collection only gets better and better with each rereading.

— Ann Fisher-Wirth

Congratulations to Dave! To celebrate he is launching his chapbook  in Central London, at a FREE event in the cosy environs of the cellar bar of The Flying Horse, on the corner of Oxford Street and Tottenham Court Road. More info here.

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Dear Seething Writers: Future’s So Bright….

Dear All,

I bear glad tidings and sad tidings:

Sad tidings: I am no longer able to give Seething Writers the time and energy that I would like to and have, since its inception in June 2016. This is simply due to other commitments, and there not being a time machine readily available to squeeze everything in…

Glad tidings: I am delighted to say that Sharon Zeqiri and Simon Tyrrell will take over as organisers and facilitators, so that Seething Writers can continue! I am so pleased to hand over to two great people, talented writers in their own right, who have been active members of Seething Writers from the start.

Thank you all for being there and for enthusiastically taking part and trying out all the writing activities; for walking and talking and sharing your work and words- it has been an absolute pleasure- and I hope I will be able to pop in and say hello and come for a pint at some point, and maybe persuade you into another walk sometime!

Lucy X

Next dates for Seething Writers meet ups at the Museum of Futures:

March 20th

April 24th

May 22nd

Something wonderful is about to happen…

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The Seethingographer, Issue 1, Winter 2016

The Seethingographer Chapbook
The Seethingographer Chapbook

The Seethingographer is a ‘compact and bijou’ anthology of some of the writing and images from the Seethingography blog, written by Seething Writers, or about Seething in some way (which of course, has no boundaries…). With contributions from Sharon Zeqiri, Sinead Keegan, Lisa Davison, Simon Tyrrell, The Historier, Paul Miner, Robin Rutherford and Katharine Scott.

This is an A6, full colour chapbook, published by Sampson Low Ltd, under the brand new Seethingography imprint, where more work by Seething Writers, or about Seething will be published in the future.

The chapbook was launched on Thursday December 1st, as part of the fantastic Collect Connect retrospective exhibition currently on at Kensington and Chelsea College.

There will also be a Seethingographer launch at the Seething Writers Make Merry event, which is FREE, and takes place on Monday 5th December at the Museum of Futures in Surbiton, from 7.30pm – 9.30pm. Mulled wine will be served and we will be celebrating a successful six months of Seething Writers meet ups. Everyone is invited to bring a piece of writing or poems to share, with a festive theme if you would like!

More information and facebook event here.

Copies of The Seethingographer will be on sale at the launch for £2 each, or you can buy them via Sampson Low – look under Seething Chapbooks here

Huge thanks to Alban Low of Sampson Low for publishing The Seethingographer, and to all the Seethingers who have come and taken part in Seething Writers meet ups, walks and events, to everyone who has submitted work to this blog.

Special thanks also to Robin Hutchinson and Simon Tyrrell for suggesting I get involved…x

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Seething Sparkles

Seething Sparkles
*Seething Sparkles*

I turned up to the Seething Events planning meeting to send my apologies and offer face embellishing at the community days. The immediate response was “oh can I have some glitter now!”

“OK is it someones birthday because I need an excuse? Ah Andy Cummin’s is going to Edinburgh for a month! OK then if I put my hand into my bag and find glitter I’ll do it.”

Of course it was the first thing my fingers touched so off I went walking around applying glitter dots to the beautiful faces…

Simone Kay has been painting faces since working on a play bus in the early 80’s and face painting at the first  Kingston Green Fair.  At Glastonbury festival she started to cut and use her own stencils to help speed up face painting 160 people in two hours with her team. She has always enjoyed using sparkly glitter as it seems to lift the spirits of participants and observers.

(*note from the Editor- I’ve been saving this post for a rainy day)

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