Viva Seething

Seethingography was originally a way for me to come down to Seething and start a writing group, and to engage Seething Villagers in thinking about what made the place that they live in special to them. I ran workshops, meet ups and an event for National Poetry Day, plus we went on a drift through Seething to explore its many quirks and secrets.

The blog has seen lots of writing and images exploring this theme, and led to the publishing of two anthologies of writing in The Seethingographer, the first from Seething Writers and the second from writers all over the world (as Seething has no boundaries!) writing on the theme of ‘Going Home’.

The Seethingographer #2

Anyone who is familiar with my own writing, and practice as a walking artist, may know that much of my work is concerned with place- how we are affected by it and how we affect it. This led to my publishing a chap book, Villiers Path, about a narrow footpath in Surbiton, which has a surprising history attached to it. I hope to do some walks and performances there later this year. See my blog or Facebook page for updates on this in the Autumn.

Villiers Path: Scalloped Time Chapbook

I was also lucky enough to publish local ecologist and bat expert Alison Fure’s pamphlet, Kingston’s Apple Story By A Michelson’s Seedling, about the local history and apple growing heritage in the Royal Borough of Kingston Upon Thames and surrounding area. I am delighted to say this is now in its second print run, and I have been chuffed to be able to support Alison’s drive to try to save the Tolworth Apple Store in publishing this important work.

Kingston’s Apple Story by Alison Fure

Chapbooks are for sale here at £2 + £1.20 p&p

The chapbooks were published by Sampson Low Ltd, a wonderful and historic publisher, and I am very grateful to Alban Low for his support.

Thanks as ever to The Marvellous Smellymaroo for her skill and kindness with design and layout of all the chapbooks.

I was very lucky to be able to use the Museum of Futures to hold events and workshops for Seething Writers, and am grateful to Robin Hutchinson and the Community Brain for allowing me to do so. Thank you!

This is my final post for now for Seethingography. I am handing it over to the lovely Seething folk, Simon Tyrrell and Sharon Zeqiri, who took over the running of Seething Writers earlier this year.

Seething is believing….So long and thanks for all the sardines!

Lucy Furlong

http://www.lucyfurlong.com/

Lucy Furlong is a widely published writer, performer and walking artist. Her poetry map, Amniotic City, was featured in The Guardian and her pamphlet , clew, was published by Hesterglock Press in 2015. Her poetry map, Over the Fields, was published in September 2015, and her latest chapbook, Villiers Path, was published by Sampson Low this year.

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Standing on the lid of Seething Wells

Painting by Simone Kay

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The Seethingographer #2 Summer 2017: Going Home

The Seethingographer #2

We are delighted to launch the second issue of The Seethingographer today!

This is a collection of writing and images on the theme of ‘Going Home’. Submissions were opened up worldwide, and we had an amazing international response!

A word from our guest editor Sinead Keegan…..
Reading through the submissions for this issue of The Seethingographer was a peek behind the curtains and around the corners of the spaces people call home. These pages are filled with the nuances of what it means to go home, from Alan Boyce’s gritty reality of homelessness to the hearth fairy of Julia Rose Lewis. Sometimes we find ourselves on the threshold, neither home nor away from home, as in Roger Leege’s ‘Fast Food’ which showed me a moment from my own childhood, and Maite Lisa Jordao’s permanent liminal emigrant existence ‘Coming Home’. Whether you know the places described, or they are alien, like Jim Lawrence’s cosmic view ‘Super Ape’, at the heart of all the pieces is the home we all know or perhaps long for. Enjoy the journey. Enjoy the homecoming.

Thanks to Alban Low at Sampson Low Ltd and to The Marvellous Smellymaroo for design and layout. Buy a copy of The Seethingographer #2 here for £2 + £1.20 p&pBuy Now Button

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Pop-Up Prose and Poetry

The next Seething Writers gathering is to mark the Surbiton Food Festival.

Thursday 18 May, 7–9pm, Museum of Futures – pop-up prose and poetry session.

Drop in anytime during the evening to rustle up some flash-fry fiction and puff poetry.

 

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Dear Seething Writers: Future’s So Bright….

Dear All,

I bear glad tidings and sad tidings:

Sad tidings: I am no longer able to give Seething Writers the time and energy that I would like to and have, since its inception in June 2016. This is simply due to other commitments, and there not being a time machine readily available to squeeze everything in…

Glad tidings: I am delighted to say that Sharon Zeqiri and Simon Tyrrell will take over as organisers and facilitators, so that Seething Writers can continue! I am so pleased to hand over to two great people, talented writers in their own right, who have been active members of Seething Writers from the start.

Thank you all for being there and for enthusiastically taking part and trying out all the writing activities; for walking and talking and sharing your work and words- it has been an absolute pleasure- and I hope I will be able to pop in and say hello and come for a pint at some point, and maybe persuade you into another walk sometime!

Lucy X

Next dates for Seething Writers meet ups at the Museum of Futures:

March 20th

April 24th

May 22nd

Something wonderful is about to happen…

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The Seethingographer, Issue 1, Winter 2016

The Seethingographer Chapbook
The Seethingographer Chapbook

The Seethingographer is a ‘compact and bijou’ anthology of some of the writing and images from the Seethingography blog, written by Seething Writers, or about Seething in some way (which of course, has no boundaries…). With contributions from Sharon Zeqiri, Sinead Keegan, Lisa Davison, Simon Tyrrell, The Historier, Paul Miner, Robin Rutherford and Katharine Scott.

This is an A6, full colour chapbook, published by Sampson Low Ltd, under the brand new Seethingography imprint, where more work by Seething Writers, or about Seething will be published in the future.

The chapbook was launched on Thursday December 1st, as part of the fantastic Collect Connect retrospective exhibition currently on at Kensington and Chelsea College.

There will also be a Seethingographer launch at the Seething Writers Make Merry event, which is FREE, and takes place on Monday 5th December at the Museum of Futures in Surbiton, from 7.30pm – 9.30pm. Mulled wine will be served and we will be celebrating a successful six months of Seething Writers meet ups. Everyone is invited to bring a piece of writing or poems to share, with a festive theme if you would like!

More information and facebook event here.

Copies of The Seethingographer will be on sale at the launch for £2 each, or you can buy them via Sampson Low – look under Seething Chapbooks here

Huge thanks to Alban Low of Sampson Low for publishing The Seethingographer, and to all the Seethingers who have come and taken part in Seething Writers meet ups, walks and events, to everyone who has submitted work to this blog.

Special thanks also to Robin Hutchinson and Simon Tyrrell for suggesting I get involved…x

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Seething Sparkles

Seething Sparkles
*Seething Sparkles*

I turned up to the Seething Events planning meeting to send my apologies and offer face embellishing at the community days. The immediate response was “oh can I have some glitter now!”

“OK is it someones birthday because I need an excuse? Ah Andy Cummin’s is going to Edinburgh for a month! OK then if I put my hand into my bag and find glitter I’ll do it.”

Of course it was the first thing my fingers touched so off I went walking around applying glitter dots to the beautiful faces…

Simone Kay has been painting faces since working on a play bus in the early 80’s and face painting at the first  Kingston Green Fair.  At Glastonbury festival she started to cut and use her own stencils to help speed up face painting 160 people in two hours with her team. She has always enjoyed using sparkly glitter as it seems to lift the spirits of participants and observers.

(*note from the Editor- I’ve been saving this post for a rainy day)

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Two Running Poems

Runners roots
Runners roots
Ter Race number 12642

Runners

       hell.

You, that’s who!

Sweaty locks and discomfort.

Trust in a few jelly babies for every

emotional and physical

        response

Found poem from 9 things you need for race day survival


Runner’s roots

Found: one trainer along the Portsmouth Road,

rooted to its spot atop a wall.

Lace tendrils carefully pruned, suggest a

recent transplantation.




Less is more,

except when running,

then two feet are always better than

                one.

        Run on.

Circuit complete, the trainer remains.

Pale circular roots have sprouted.

It means to settle. And why not, since this

                                         wall

                                         is as nice

                                         as any,

with its south-facing aspect and communal garden.

It’s the sort of place that nourishes

the soul;

the sort of place that one might

                 blossom.

By Lisa Davison
Lisa is running the Royal Parks Half Marathon
to raise money for Children and the Arts Start Hospices programme.
http://uk.virginmoneygiving.com/fundraiser-web/fundraiser/showFundraiserPage.action?userUrl=LisaAndrews6&faId=728966&isTeam=false

 

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Seething Town, the place I want to be

That Seething Feline (photo by Lucy Furlong)
That Seething Feline (pic by Lucy Furlong)

Back to the future. It all started in the Museum of the Future. It had been a detective agency once, reminded him of one of the Douglas Adams novels, Dirk Gently Holistic Detective Agency or something like that. The whole area was known as the Wells, somewhere he had passed by many times but he had heard many interesting stories about it and now here he was. He looked up and even the clouds looked a bit different. Definitely something different about the place though he couldn’t quite pinpoint what it was.

He started walking along the street, noticed a few road cones and a small yard with some hollyhock plants in it, then started walking along the main road near the river. A couple of cyclists went past, it reminded him that there was a big cycle race the following weekend, happened every year and always lots of people watching, some having picnics on the local village green or watching it pass by outside the local pub.

On past the local wine store and the Old waterworks building which was now a gym and student accommodation. He remembered the time the waterworks was still in use and even the slight smell from the old filter beds  and looking around began to imagine what it might have been like back in the day. Now it was a wildlife haven, a few years ago someone had the idea of building floating houses there but  fortunately that had been abandoned. So many stories he had heard about the area, about giants and caves and a mysterious goat-boy, wondering how many of them were true, maybe that was where the detective agency came in ..

He was brought back from his reverie by his friend passing by with his large but amiable husky type dog, he lived just round the corner and they chatted for a while, walking past the car showroom and the golf studio . After the man left he walked on towards the gated estate, no dogs allowed in the park there so just as well his friend had left by then he thought. He then noticed a cat was following him, as he approached the private garden, looked like a lovely place with large garden, shared walkway and small pond and fountain in the distance. He played with the cat for a few moments before it wandered back to where it had come from. Remarkable to think that the garden had once been a small reservoir, even Alan Titchmarsh hadn’t managed that big a makeover.

Soon be was passing the park where they held a community sports day every year, and then through the Wells estate on the way back to the Museum. There was definitely something different about this place,whether it was the distinctive appearance, the wild garden with the bee hives, and the back gardens of the houses near the Museum. Maybe it was here that the strange tale he had heard about the little goat boy who lived in a cave underneath the mountain originated, it all began to make a bit of sense.

Finally it was back past the old emporium shop with contented cat inside and back to the Museum

As he met up with his friends in the Young Sheep pub afterwards, he reflected, yes there was magic in Seething Town …

By Mark Badcock

 

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Messages to the Future on National Poetry Day

Exciting news! The Time Capsule installation from the pop-up exhibition ∀ – universal quantification, by the art collective futuremellon/not yet art, held at the Museum of Futures back in July, will be part of the event on National Poetry Day.

timecapsule

TIME CAPSULE (installation, 2016) concept & realization futuremellon/not yet art

During the pop-up exhibition ∀ – universal quantification, held at the Museum of Futures in Surbiton, the art collective futuremellon/not yet art, asked visitors to leave their messages to the future. All the letters were kept inside a time capsule, which will be finally sealed during the National Poetry Day 2016.

On the 6th of October 2016 participants will have the last opportunity to leave their personal message addressed to a chosen recipient. By adding a recipient’s contact (email or home address), their messages will be delivered to a special person once the time capsule will be opened into a far in the future day. The opening date of the capsule is still unknown, but it will be drawn by lot after the time capsule is firmly closed. Until then, the capsule and its keys will be safely stored.

So please come and a write a message to someone in the future and be part of this adventure through time.

More information about the events being held at the Museum of Futures for National Poetry Day can be found here and Facebook event is here.

Message Ends….

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