Viva Seething

Seethingography was originally a way for me to come down to Seething and start a writing group, and to engage Seething Villagers in thinking about what made the place that they live in special to them. I ran workshops, meet ups and an event for National Poetry Day, plus we went on a drift through Seething to explore its many quirks and secrets.

The blog has seen lots of writing and images exploring this theme, and led to the publishing of two anthologies of writing in The Seethingographer, the first from Seething Writers and the second from writers all over the world (as Seething has no boundaries!) writing on the theme of ‘Going Home’.

The Seethingographer #2

Anyone who is familiar with my own writing, and practice as a walking artist, may know that much of my work is concerned with place- how we are affected by it and how we affect it. This led to my publishing a chap book, Villiers Path, about a narrow footpath in Surbiton, which has a surprising history attached to it. I hope to do some walks and performances there later this year. See my blog or Facebook page for updates on this in the Autumn.

Villiers Path: Scalloped Time Chapbook

I was also lucky enough to publish local ecologist and bat expert Alison Fure’s pamphlet, Kingston’s Apple Story By A Michelson’s Seedling, about the local history and apple growing heritage in the Royal Borough of Kingston Upon Thames and surrounding area. I am delighted to say this is now in its second print run, and I have been chuffed to be able to support Alison’s drive to try to save the Tolworth Apple Store in publishing this important work.

Kingston’s Apple Story by Alison Fure

Chapbooks are for sale here at £2 + £1.20 p&p

The chapbooks were published by Sampson Low Ltd, a wonderful and historic publisher, and I am very grateful to Alban Low for his support.

Thanks as ever to The Marvellous Smellymaroo for her skill and kindness with design and layout of all the chapbooks.

I was very lucky to be able to use the Museum of Futures to hold events and workshops for Seething Writers, and am grateful to Robin Hutchinson and the Community Brain for allowing me to do so. Thank you!

This is my final post for now for Seethingography. I am handing it over to the lovely Seething folk, Simon Tyrrell and Sharon Zeqiri, who took over the running of Seething Writers earlier this year.

Seething is believing….So long and thanks for all the sardines!

Lucy Furlong

http://www.lucyfurlong.com/

Lucy Furlong is a widely published writer, performer and walking artist. Her poetry map, Amniotic City, was featured in The Guardian and her pamphlet , clew, was published by Hesterglock Press in 2015. Her poetry map, Over the Fields, was published in September 2015, and her latest chapbook, Villiers Path, was published by Sampson Low this year.

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Meditation on Hiraeth

 

Elan Valley, June 2016

I am coming back to me.

I see my reflection in the landscape,

in the place, in the sounds, the smells, the language.

I see myself, whole.

 

Feel my feet planted in the ground.

Sense my roots deep and strong.

I feel the living wood,

the sun on my skin, filling me with light.

 

Hear the breath of the breeze move through me.

Feel the cool water as it runs over my feet.

Feel it in my veins. Taste it.

It is a part of me.

 

Let me sit on this hillside,

body close to the earth,

The rhythm of life beats in me,

As above, so below.

 

My heart sings out loud, a ‘calon lan’,

I am of the land where Oaks grow

and birdsong fills my being.

I am home.

 

Ruth Raymer

Ruth is a walker, thinker, dreamer and writer. She says that her soul speaks in Welsh and Hiraeth pulls her back to Wales at every opportunity.In October 2017, she will embark on PhD research at the University of Essex as a CHASE DTP scholar, writing on the concept of Home and the human search for it.

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Submit!

Submissions to Issue #2 of The Seethingographer are now open!

The Seethingographer Issue #2 Summer 2017 theme:

‘Going Home’

 What is Home and where is it? Is it wherever you are, or is home a place you yearn for? What makes a house a home?

Please send us your new- not-published-before flash fiction, place-based writing of no more than 170 words; short poems of no more than 20 lines and high resolution jpeg images on the theme of ‘Going Home’, to  seethingography@gmail.com by midnight April 30th

Please include your name, email address and web site, if you have one.

Buy Issue #1 via Sampson Low Ltd here

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Art for a Day…Today!

Kay Galbraith- The Art Fairy
Kay Galbraith- The Art Fairy

Art For A Day will be a multi-disciplinary art event over 24 hours raising money for Creative Youth.
Beginning at 3pm on the 29th August during the community picnic in St Andrew’s Square, Surbiton, Art For A Day will see multiple artists creating work and running workshops over the 24 hours and will be spread out between the Lamb Pub and the Museum of Futures.

Two artists Kay Galbraith and Eddie Langham will be creating a piece of art over the 24 hours. Kay will be painting and Eddie will be making a fashion piece. Members of the community will be invited to bring their inspiration and take part in both pieces.

From the Lamb website:

The wonderful Kay Galbraith will be creating a painting over 24hours, she told us a little bit about her and the project:

“I started painting in January 2012 and shortly after I found myself illustrating a book written by Robin Hutchinson called The Little Rainbow Coloured Bird which supports Creative Youth.
From then on I always supported Creative Youth and the wonderful festival that fills Kington with energy and life for a few
weeks in July.
I had been mulling over what fund raising event I could possibly do to support them when I came up with the idea of painting a watercolour over 24 hours! Another reason being is I feel I don’t paint enough and this will make me paint!!!
The painting will then be auctioned later in the year with all monies going to Creative Youth Charity.”

Throughout the event many other artists will be producing work which will culminate in an exhibition and auction in a few months. There will also be many workshops and opportunities to get involved and create something of your own which could be included in the exhibition.

The money raised through this event will go to Creative Youth, organisers of the international Youth Arts Festival. Creative Youth enables young people to realise their potential through the arts, develops young people by equipping them with the skills and confidence to succeed in business and the arts, and celebrates the achievements of young people in the arts worldwide during the International Youth Arts Festival. It is a special charity helping the headliners of tomorrow get noticed and helping those young people who need skills, direction and support to get noticed too! Have a look at www.creativeyouthcharity.org

Our community always gives very generously and we’d like to say a big thank you! To give you an idea of the difference your donation can make to, here’s an idea of what it can go towards:

£900 covers the new and much needed music equipment
£320 covers the cost of road closures for an event
£100 covers the cost of hiring a van for a day
£12.20 pays for travel for a musician, another £12 covers a meal and drink as well
£25 buys art supplies
£3 buys a box of pens

If you would like to make a donation please follow the link bellow to the team Just Giving page.
https://www.justgiving.com/teams/artforaday

 

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A higher temple?

theHistorierMay23rd2016

Strange shapes and forms appear within the architectural façades of Seething. Have you seen them? Geometric shapes, pyramids, towers and columns are integrated into buildings in and around the Victoria Road. Taken all together these separate parts form a 3D jigsaw puzzle.

It was all created by a chap who delved into the hermetic and pagan during the Long Seething Century. AKW Shorom, was a Seethinger through and through, born into a humble family, but blossomed at the Great Library under the guidance of Pross. It was there he learnt of the classical times, when Seethingers would share knowledge and ideas with other peace loving communities from across the world. It was through a system of energy harnessed through limestone, where the lime crystals vibrated emanating sound, replicating the voice at the other end of the energy- “line”. As time went by people started fashioning heads out of the stone, and eventually the likenesses of people. They were called statues, from the greeting on picking up a message, “’s t’at you?”

This was before the days of the Great Schism, when all contact broke down and was never again established. Unbeknownst to each other, a patchwork of communities carried across the world. Was all lost? Shorom thought not. He designed a temple to embrace the ancient energies circulating the world. A giant antenna. It would act as radio sending out messages to other secret societies. His great temple would make contact with those societies and the worldly secrets passed on and shared.

Shorom was hounded out of Seething by jealous Aldermen of the great council. But what of his temple? He was a cunning man. He broke it up and gave it to an architectural scrap yard to sell, on one condition. No part may leave the boundaries of Seething. At a time of few architectural fragments, the parts were scooped by builders and quantity surveyors, who built them into their own designs.

No one knows what happened to Shorom. It is said he sometimes returns to Seething in disguise as an hospitaller or a cheesemonger, and that one day he will return as the great architect to rebuild his temple and return peace to the world.

As you walk round Seething, keep an eye out, look at the buildings. If you see something, place your hand upon it and feel it vibrate.

By the Historier

The Historier blogs at https://anhistoriersmiscellany.wordpress.com/

 

Column Planting Line

lamp post seedling
lamp post seedling

Lamp post seedlings are delivered to Seething on an irregular basis, to shed light on whatever needs shedding light on and isn’t getting that light shedded* on it. They are sturdy young specimens, metal beanpoles which must be carefully transported from secret lamppost-growing tunnels, deep in the Thames Valley. Under protective black canvas, they grow in the dark like rhubarb, unless it is a moonless night, when they are acclimatised to fresh air and turn their lights to face the sky for the first time. As you can see they are very carefully planted, using the Seething Regulation Column Planting Line to ensure successful transplanting in the material that will support their growth best.

*technical term

Lucy Furlong

www.lucyfurlong.com